Showing posts with label paul laffoley. Show all posts
Showing posts with label paul laffoley. Show all posts

9.9.15

Paul Laffoley on view at Kent Fine Art in New York




Paul Laffoley 


The Force Structure of the Mystical Experience 



Sept. 11 - Nov. 7, 2015


Kent Fine Art LLC 

210 Eleventh Avenue — 2nd Floor
(Between 24th & 25th Streets)
New York, NY 10001

kentfineart.net







" This survey of the visionary works by Paul Laffoley will include, for the first time, models of utopian speculations related to the architectural problems that we currently face. The show begins with perhaps his most puzzling incidence of genuine predictive powers as evidenced by the painting The City Can Change Your Life, 1962, to the current cycle of works related to the Guggenheim Fellowship (2009) project entitled Building the Bauharoque. 

 “I have been more interested in the nature of Utopian Space in terms of how to describe it and how to create it. In this regard, I feel that I harken back to reconsider the intentions and agenda of The Bauhaus, The Constructivists, The Deutscher Werkbund, etc., from the early part of this century. In doing so, it is with the belief that I am helping in some way to keep alive the “flame” of these Modernists (almost extinguished by the ‘Post-Modernists’), a flame if properly tended could burst into the ‘Fire of the Future’ which could light our way until the golden dawn of The Bauharoque.” -PL (1992)... [from the press release]



                                                       download the pdf catalogue here






Why is there something rather than nothing, 1964





Die Erde Blume (The earth flower), 1994





Gaudeamus Igitur, 2001





Gaudì Hotel, First level plan, 2003





Quartum Dimensio Aedificium (The Claude Bragdon Memorial Building), 1973





Quartum Dimensio Aedificium, 1975





The gate of braham - The cosmic octave, 1971





The Renovatio Mundi, 1977





The visionary point, 1970






22.9.10

Paul Laffoley: Begin the Bauhauroque (An interview @ The Morning News)




It Came from Beneath Space, 1993




How does your training as an architect influence your paintings?

I’ve been painting since I was four years old and my father hated that. My mother kept saying, “Well, he should get into something where he can make some money.” So he sent me to architecture school. It wasn’t bad. I liked it as long as I was able to stay there, but eventually they just kicked me out.


What kind of research, writing or thinking do you do before beginning a painting? How does that relate to your architectural training?

I think most research is the same thing. You have some kind of vague notion of something and then try to find references to it or things about it. And as you research as you go along, suddenly stuff starts accumulating...


(Continue reading the interview by Nozlee Samadzadeh @ themorningnews.org)