21.10.26

Gilles Berquet : Le fétiche, la poupée, le masque & la grimace - LE PARADIGME pierre MOLINIER


November 5 - December 18, 2026
opening Thursday November 5 from 5 p.m.
dedication of the exhibition book by the artist
from 6 p.m. to 8 p.m., during the opening
Exhibition from Thursday November 5 to Saturday December 19, 2026
Tuesday to Saturday, 2:30 p.m. to 7 p.m.
Thursdays will be late night until 8:30 p.m. - Metro: Odéon, Bus 58 & 70

Arsenic Galerie
14, Rue Guénégaud - 75006 Paris








[from the press release]

Heir to the symbolism and anti-naturalist aesthetic of Gustave Moreau, who reinvented the femme fatale, Gilles Berquet unveils a timeless photographic universe that is both subversive and poetic. He also belongs to the transgressive lineage of Pierre Molinier, whose photographs, discovered in the 1980s, proved a catalyst for him. Like Molinier, Berquet approaches the human body as if it were a text, a living language coded by unconscious desires upon which society continually imposes its norms and laws. Through his photographic creations, his set and prop designs, Gilles Berquet shifts the eroticism of power toward a surreal dreamlike quality that evokes claustrophobic settings, film noir, comics, and genre cinema.

Unlike Pierre Molinier, whose photographs are self-portraits of his inner fantasies, Gilles Berquet illuminates the bodies of others. In the workshop that serves as his shooting studio, the women who pose for his lens do so with a profound desire to see themselves. The unfolding of this "intimate ceremony" is guided by Gilles Berquet's visions, "on the lookout for a gesture or an attitude that will give a particular presence to the person being photographed." He relies on the creative collaboration of the artist Mirka Lugosi, the third eye who, from the perspective of the scene, suggests poses to the protagonist, encouraging her to interact with set elements and props made by Berquet. "I don't like using manufactured objects that you might see in other photographers' work. It's not a form of protection, but rather a way of distinguishing myself. It's also to inject humor into an approach that could otherwise seem austere or harsh," he explains.



16.10.26

psychick warriors ov gaia : ov biospheres and sacred grooves: a document ov new edge folk classics







15.10.26

lavinia schulz












Minya Diez-Dührkoop, Lavinia Schulz als Tanzbertchen (1924)




Lavinia SchulzTanzmaske, Toboggan Frau









 

13.10.26

pierre klossowski




La tour de la meditation - 1976




Roberte et Gulliver I, 1980




Tarquin et Lucrèce, 1976







 

9.10.26

||||||


Other, Like Me 
The Oral History of COUM Transmissions and Throbbing Gristle 
Dan FoxMarcus Werner Hed (2020)





Earspace : Episode 41
"More wild electronic sonic adventures with Robin Rimbaud. This month there's new music on the Silver Threads label from Anthony Childs/Surgeon and Mareena, dreamy melancholia from Alva Noto & Ryuichi Sakamoto, and dubbed out sounds from Hallucinator and Steve Rachmad. Blasts from the past include Akkord, FM3 and Aphex Twin, plus new music from Carrier, Emily A. Sprague, Klara Lewis, Charlie May, Bana Haffar and much more"






Simon Rattle : Leaving Home. Orchestral music in the 20th




Occult Voices 
Paranormal Music, Recordings of unseen Intelligences 1905-2007





The Best Electronic Music on Bandcamp, September 2026 : 











 

3.10.26

bandcamping 02

01 - melt banana : free the bee 

 

 02 - Modern Apartments : Completely

 

03 - Colin Stetson, Brìghde Chaimbeul : Even though the frost is harsh 

 

04 - Andrea Parker / David Morley : After Dark 

 

05 - Donato Dozzy : Astro 

 

06 - Jannis Anastasakis and Peter Knight : immateriality materiality vision talk talk Feather III

 

07 - Colossloth : Encoded Divinity

 

08 - Arun Sood & Angeline Morrison : A Rìbhinn a Bheil Cuimhn' Agad 

 

09 - Lonefront : Reflexionen

 

 10 - Cynthoni : Coagulation




23.9.26

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Le Dernier Cri : Hôpital Brut (1999)






Max Andersson : Spik-Bebis (1987)




Max Andersson : Lolita separerar (1988)




Loscil : Live in Milan


Between two points
A monthly mix by Los Angeles sound artist and composer Richard Chartier for dublab





Simon King Of The Witches : Bruce Kessler, 1971







20.9.26

nahui olin












Menelik









Mujer en el día de muertos (1932)




Autorretrato




Dos catos














 

george grosz, daum marries her pedantic automaton, george in may 1920, john heartfield is very glad of it








 

francis picabia

 

commons.wikimedia.org



La fille née sans mère, 1916




Lampe_Illusion from 391, n. 3, March 1, 1917




L'Adoration du veau, 1942




Agnes E. Meyer, 1915




Femme accroupie, undated





Femmes à la fenetre, undated




Médéa, 1919




Mi, 1919




Machine Turn, 1916




Untitled, 1942









from 391 No.5




Après la pluie, 1927




from Litterature, 1923




Phosphate, 1922




from 391 No.15




from 391 No.14



Portrait d'une jeune fille americaine dans l'état de nudité, 1925